DVD 127 IMDB 7.8
NR
Tales Of Hoffmann, The - The Criterion Collection
Criterion (1951)
In Collection
#6339

Seen It:
Yes
Adventure, Fantasy, Music, Romance
USA  /  English

Ludmilla Tcherina
Leonide Massine
Pamela Brown Nicklaus
Moira Shearer Stella and Olympia
Ann Ayars
Robert Helpmann Lindorf, Coppelius, Dapertutto and Dr Miracle
Robert Rounseville Hoffmann
Ludmilla Tchérina Giulietta
Anne Ayars Antonia
Léonide Massine Spalanzani, Schlemil and Franz
Frederick Ashton Kleinsach and Cochenille
Mogens Wieth Crespel
Lionel Harris Pitichinaccio

Director Michael Powell; Emeric Pressburger
Producer Michael Powell; Emeric Pressburger
Writer Michael Powell; Emeric Pressburger; E.T.A. Hoffmann; Jules Barbier

Michael Powell and Emeric Pressburger create a phantasmagoric marriage of cinema and opera in this one of a kind take on a classic story. In Jacques Offenbach's fantasy opera The Tales of Hoffman, a poet dreams of three women - a mechanical performing doll, a bejeweled siren, and the consumptive daughter of a famous composer - all of whom break his heard in different ways. Powell and Pressburger's feverishly romantic adaptation is a feast of music, dance, and visual effects, and one of the most exhilarating opera films ever produced.

Edition Details
Distributor Criterion Collection
Barcode 037429126226
Region Region 1
Release Date 11/22/2005
Packaging Keep Case
Screen Ratio Standard 1.33:1 Color
Subtitles English
Audio Tracks ENGLISH: Dolby Digital Mono
Layers Single Side, Dual Layer
No. of Disks/Tapes 1
Personal Details
Purchase Price $39.95
Links DVD Empire
IMDB
Amazon US

Storage Device

Features
Audio Commentary by director Martin Scorsese and film-music historian Bruce Eder
New video interview with director George A. Romero (Night of the Living Dead)
The Sorcerer’s Apprentice (1956), a short musical film directed by Michael Powell, based on the Goethe story
Rare collection of production designer Hein Heckroth’s design sketches and paintings
Gallery of archival production and publicity photographs
Original theatrical trailer
A new essay by opera and film historian Ken Wlaschin